| Friday, June 1st 2018 |
| 09:30-11:00 |
Session 1: New Aesthetics - New Dimensions
| Chair: Nikolaos Kanellopoulos , Ionian University, Greece |
| 1.1 |
Complexities of form: On the implications of Spencer-Brownian logicomathematical universe to a constructivist processual aesthetics of nested space-forms and reflexive structures |
Dimitris Ginosatis |
Ionian University, Greece |
| 1.2 |
Dynamic Generation and Exploration of Symmetrical Textures from Real-time Camera Input on Mobile Devices |
Nikitas M. Sgouros |
University of Piraeus, Greece |
| 1.3 |
Digital Holography and Parametric Design in the Redefinition of the Architectural Object |
Nikos Kourniatis |
National Technical University of Athens, Greece |
| 1.4 |
An interactive Art Application of a Proposed Fourth Spatial Dimension Cosmological Model |
Dimitrios Traperas, Nikolaos Kanellopoulos |
Ionian University, Greece |
| 1.5 |
Design mechanism: A design methodology for the "construction" of urban reality. |
Eirini Krasaki |
National Technical University of Athens, Greece |
|
| 11:00-11:30 |
|
| 11:30-13:00 |
Session 2: Digital Culture and Technologies I
| Chair: Andreas Floros, Ionian University, Greece |
| 2.1 |
TANGIBLE PROGRAMS |
Athina Angelopoulou |
National Technical University of Athens, Greece |
| 2.2 |
The Role of Recommender Systems in Cultural Heritage |
George Pavlidis |
Athena Research Centre, Greece |
| 2.3 |
Sound art and technology: exploring the affective intensities of embodied audibility |
Andromachi Vrakatseli, Nikos Bubaris |
University of the Aegean, Greece |
| 2.4 |
The Soundscape of a Terrorist Attack as Materiology for Live Performance and its Performative, Social and Ethical Implications |
Theodoros Lotis |
Ionian University, Greece |
| 2.5 |
Immortality and resurrection of the digital self |
Konstantinos Chorianopoulos |
Ionian University, Greece |
|
| 13:00-14:00 |
Keynote Speaker: Maurice Benayoun
| Chair: Nikolaos Kanellopoulos, Ionian University, Greece |
| |
The Post Digital Wave: The End of the End of Art |
Maurice Benayoun |
University of Hong Kong |
|
| 14:00-15:00 |
|
| 15:00-16:30 |
Session 3: Gamification - Augmented Reality
| Chair: Ioannis Deliyannis, Ionian University, Greece |
| 3.1 |
AstroSonic: an educational audio gamification approach |
Emmanouel Rovithis, Andreas Floros |
Ionian University, Greece |
| 3.2 |
DIY Filmmaking in Greece in the Digital Era |
Yorgos Drosos |
Ionian University, Greece |
| 3.3 |
Augmented reality and arts |
Maria Papadopoulou, Ioannis Deliyannis |
Ionian University, Greece |
| 3.4 |
Translation through the looking glass of Augmented Reality |
Georgia Tsimpida |
Ionian University, Greece |
| 3.5 |
Creating algorithmic audiovisual narratives through the use of Augmented Reality prints |
Iro Laskari |
Hellenic Open University, Greece |
|
| 16:30-17:00 |
|
| 17:00-18:30 |
Session 4: Art and Technology
| Chair: Dalila Honorato, Ionian University, Greece |
| 4.1 |
Blockchain and Paratactic Media Works |
Ebru Yetiskin |
Istanbul Technical University, Turkey |
| 4.2 |
Seeing |
Nina Lyons, Matt Smith |
Institute of Technology, Blanchardstown, Ireland |
| 4.3 |
Cyborg art and the rise of a specific vocabulary: which are the challenges for curators in the expression of a new post-human identity? |
Anastasia Terzidou, Rafaela Karagianni |
six impossible wishes, creative agency for new media art, Athens, Greece |
| 4.4 |
UNIVERSAL MONSTERS - The Early Posthuman Cultural Icons |
Penny Papageorgopoulou, Dimitris Charitos |
National and Kapodistrian University of Athens, Greece |
| 4.5 |
Mediated self and subjectification. Selfies as a negation of alterity - Cindy Sherman, Inti Romero and massive auto-photography |
Maria Argyrokastriti |
Ionian University, Greece |
|
| 18:00-20:15 |
Session 5: Digital Culture and Education I
| Chair: Konstantinos Koskinas, Panteion University, Greece |
| 5.1 |
Teaching electronic music principles to kindergarten-age in the digital era with Synth4kids web-application |
Yannis Mygdanis |
European University Cyprus |
| 5.2 |
ARTISTS: A virtual Reality culTural experIence perSonalized arTworks System: The “Children Concert” painting case study |
George Trichopoulos, John Aliprantis, Markos Konstantakis, George Caridakis |
University of the Aegean, Greece |
| 5.3 |
Virtuation |
Konstantinos Koskinas, Maria Koletsi |
Panteion University, Greece |
| 5.4 |
ORCHESTRA: An integrated ICT platform for creating rich interactive cultural experiences |
Vassileios Tsetsos, Vera Kriezi, Odysseas Sekkas, Periklis Ntanassis |
Mobics S.A., Music Library of Greece |
| 5.5 |
Digital artificial composers: issues of ontology, musical-aesthetic values, and cultural meanings |
May Kokkidou, Zoe Dionyssiou |
University of Western Macedonia, Greece
Ionian University, Greece |
|
| Saturday, June 2nd 2018 |
| 09:00-10:45 |
Session 6: Digital Culture and Education II
| Chair: Agnes Papadopoulou, Ionian University, Greece |
| 6.1 |
Art Didactics and Creative Technologies: Digital culture and new forms of students’ activation |
Agnes Papadopoulou, Polyxeni Kaimara, Sofia-Maria Poulimenou, Ioannis Deliyannis |
Ionian University, Greece |
| 6.2 |
Transmedia Storytelling, Media Convergence and Creative Writing |
Vassiliki Nanou, Polyxeni Kaimara, Agnes Papadopoulou |
Ionian University, Greece |
| 6.3 |
Development of a scale for measuring the learning experience in serious games. Preliminary results |
Emmanuel Fokides, Polyxeni Kaimara, Ioannis Deliyannis, Pinelopi Atsikpasi |
University of the Aegean, Greece
Ionian University, Greece |
| 6.4 |
Can we step into the same river again? Thinking together the memory and the future of dialectical images. |
Triantafyllos Tranos |
Aristotle University of Thessaloniki, Greece |
| 6.5 |
INFORMATION FATIGUE Distortion of Information, caused by Brain Confusion due to Overload (Conclusion, from Research by the Psychobioanalytical Research Working Group “ἐκ τῶν ὑστέρων”) |
Constantinos Dimoulas, Theodora Papadimitriou, Evripidis Dimoulas, Elli Velliou, Areti Galli |
Psychobioanalytical Research Working Group “ἐκ τῶν ὑστέρων”, Greece |
| 6.6 |
Technologically mediated participatory and performative artistic expressions as social educational tools |
Spiros Papadopoulos, Maria Loukou, Avrokomi Zavitsanou |
University of Thessaly, Greece |
|
| 10:45-12:30 |
Session 7: Digital StoryTelling
| Chair: Michael Meimaris, National and Kapodistrian University of Athens, Greece |
| 7.1 |
Dramatization and Digital Technology in Ιntergenerational Learning |
Gerasimos Polymeris, Andreas Giannakoulopoulos, Konstantinos Tiligadis |
Regional Directorate of P&S Education of Ionian Islands. Ionian University, Greece |
| 7.2 |
Co-authoring and user interaction in digital storytelling. A case study |
Caterina Antonopoulou |
University of the Aegean, Greece |
| 7.3 |
Comparative interpretation and approaches to the development of interactive tools in an Ancient Drama performance |
George Petras, Panagiotis Tsagkarakis |
National and Kapodistrian University of Athens, Greece |
| 7.4 |
AudioVisual Performance with Augmented Reality Mobile Device |
Kweiming Tseng, Pei-Hsien Hsu |
National Chiao Tung University, Taiwan |
| 7.5 |
The Artist as Facilitator - Selected Aspects of Media Aesthetic Education |
Aleksandar Vejnovic |
Darmstadt UAS, Germany |
| 7.6 |
Locating poetic objects: Experiencing poetry into site through walking, sound and interaction |
Bill Psarras |
Ionian University, Greece |
|
| 12:30-12:45 |
|
| 12:45-14:45 |
Guest Speakers
| Chair: Michael Panagopoulos, Ionian University, Greece |
| |
Smooth/Striated, Place/Non-Place: Spaces for Metaverse Avatars |
Elif Ayiter |
Sabanci University, Turkey |
| |
Sound of Troubled Worlds = Songs for Serenity - “There are still songs to sing beyond mankind” by Paul Celan |
Robertina Sebjanic |
artist researcher (robertina.net), Ljubljana, Slovenia |
| |
Referentiality: Video Book Case Study |
Adnan Hadziselimovic |
University of Malta |
| |
Computational Game Designers: How Artificial Intelligence can automate and support the creation of game content |
Antonios Liapis |
University of Malta |
|
| 14:45-15:30 |
|
| 15:30-17:15 |
Session 8: Digital Culture and Technologies II
| Chair: Andreas Giannakoulopoulos, Ionian University, Greece |
| 8.1 |
The digital artist as the creator of potential space and time heterogeneities |
Mirsini Vounatsou, Stelios Dexis |
University of West Attica, Greece |
| 8.2 |
Blockchain Technology and Digital Arts |
Marina Markellou |
NCSR Demokritos, Greece |
| 8.3 |
Games of Chance via the Internet; online gambling as a commercial pursuit in need of appropriate regulation |
Ioanna Alexopoulou |
University of Peloponnese, Greece |
| 8.4 |
LITERALLY UN-LOCK AND SPEED-UP YOUR CONTAINERISED DEVELOPMENT ON EMBEDDED DEVICES by example of a standalone gadget with orientation sensors sending Open Sound Control |
Martin Carlé |
PEARL, Greece |
| 8.5 |
Examining the use of Augmented Reality and computer vision technologies in digital artworks, the case of:“PoNR/ANOMIE” |
Panagiotis Triantafyllidis, Fotios Stergiou |
plastik, Greece |
| 8.6 |
Smartphones: Tools of contemporary artistic expression. An experiential approach through the artwork of Christos Kalaitzoglou & Loukas Ziaras (LOOX) |
Loukas Ziaras, Christos Kalaitzoglou |
LOOX, Greece |
|
