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Title: 3rd Music Seminar by Georgia Kalodiki - Seminar of music composition for instruments and electronics using contemporary electronic sound processing electronics, investigating the relations between harmonic and non-harmonic spectra
Speaker: Georgia Kalodiki
Date & Time: 19/05/2016 - 17:00-19:00 (Dept. Music Studies room 302)
Language: Greek

Short Description:

During this seminar I present and discuss several aspects of my ongoing research at the Music department of Ionio University (Thesis: Composing works for instruments and electronics investigating the relations between harmonic and non-harmonic spectra’)

Fields for discussion and analysis:

- Electronic sound processing and degree of identification of the sound source (instrument identity)

- Search for geometrical symmetries not attached to the traditional approach of the vertical and horizontal axis that characterize the exposition of sound events

- Studying the way of perception of sound events according to empirical reality

- Conceptual approach of abstraction as a degree of harmonic subtraction leading to noise.

- Electronic sound processing of human voice and maintenance of meaning

- Relations between harmonic and non harmonic spectra

Bibliography

A companion to aesthetics 1995 Edited by David Cooper, Blackwell Publishing

Beardsley, Monroe C. 1989 Ιστορία των αισθητικών θεωριών, Εκδόσεις Νεφέλη

Bergson, Henry. 2010, Time and Free Will, Nabu Press

Bregman, A. (1990) Auditory Scene Analysis. USA: MIT Press

Croce, Benetetto. 2013, The Essence of Aesthetic, HardPress

Dalhaus, C. 1982. Esthetics of Music, trans. Wiliam W. Austin, Cambridge University Press.

Dewey, John. 2005, Art as Experience, Penguin

Dobson, R., (1992) A Dictionary of Electronic and Computer Music Technology. Oxford University Press

Emmerson, S. ed., (2000) Music, Electronic Media and Culture. England: Ashgate

Emmerson, S. 1986 The relation of language to materials. In S.Emmerson (ed.) The language of Electroacoustic Music, pp.17-39. Basingstoke: MacMillan Press

Emmerson, S. ed., (2000) Music, Electronic Media and Culture. England: Ashgate

Huber, D., M., Runstein, R., E., (2005) Modern Recording Techniques. Focal Press

Garnett, Guy E. The aesthetics of interactive Computer Music, Computer Music Journal 25.1 (2001) 21-33

Kemal, Salim. 1992 Kant's Aesthetic Theory, London: St Martin's Press

Langer, Suzanne. 1953 Feeling and Form, Macmillan Pub Co

Manning, P. (1993) Electronic and Computer Music. Clarendon Press, Oxford

Merleau-Ponty, Maurice. 2012, The Phenomenology of Perception, Routledge

Miranda, Ed. R., (1998) Computer Sound Design-Synthesis techniques and Programming. Second Edition, Focal Press

Morgan, Robert. P., 1993, Modern Times From World War to the Present (Granada Group and The Macmillan Press Ltd

Pejrolo, A., (2005) Creative Sequencing Techniques for Music Production. Focal Press

Russolo, L., (1967) The art of Noises. A great Beat Pamphlct

Schaeffer P., (1966) Traite des objects Musicaux. Editions du Seuil

Schrader, B., (1982) Introduction to Electro-Acoustic Music. Prentice Hall

Smalley, D. (1997), Spectromorphology: Explaining sound-shapes, Organised Sound: Vol. 2, no. 2. Cambridge: Cambridge University Press: 107-126

Smalley, D. 1986 Spectromorphology and structuring processes. In S. Emmerson (ed.) The language of Electroacoustic Music, pp.61-93. Basingstoke: MacMillan Press

Schopenhauer, Arthur 2007 Philosophy and the Arts Edited by Dale Jacquette, Cambridge University Press

Wishart, T. 1994 Audible Design, Orpheus the Pantomime: Ltd

Young, J. The Interaction of Sound identities in Electroacoustic Music, ICMC 2002 Proceedings. Gothenburg, 2002: 342–348.

Wishart, Trevor. 1996 On sonic Art, Psychology Press
CV Georgia Kalodiki

Born in Athens (1975) she has a Master and a PhD in acoustic composition from Goldsmiths College, University of London with the English composer Roger Redgate. She has also studied composition with Yannis Ioannidis, Joseph Papadatos and Alexandros Kalogeras, music for cinema and mixed media with Alexandros Mouzas as well as classical guitar with Elena Papandreou. She attended lectures and Master classes with well known composers such as Alvin Lucier, Christian Wolff, Rebecca Saunders, Bryan Ferneyhough, and Theodor Antoniou. Her compositional work includes solo, chamber and orchestra music as well as electronic music and music for mixed media. Her interests are focused on the interactive relation between form and material in contemporary music, experimenting on the wide range of possibilities arising from this interaction. She is currently a PhD candidate at Ionio University of Corfu in Electroacoustic Composition. Her works have been performed and received distinctions in Greece and abroad (Goethe institute, Athens Music Hall, Janacek conservatory - Czech Republic, Old Operating Theatre of London, Tsai Perfomance Center - Boston University, Alte Schmiede -Vienna), by well known ensembles as Kreutzer quartet, Soozvuk ensemble, Kamerata orchestra of Greece, Orchestra of Colours, Greek Ensemble of Modern Music, ALEA, Red Note Ensemble etc. She has received commissions from Boston University, Kapodistrian University of Athens, Orchestra of colours, Acanthes 2007, the Athens Youth orchestra ASON, Red Noise Ensemble, Dissonart Ensemble etc. Her music has published from Subways Records. She has composed music for four silent movies in Kakogianni foundation (Fred C. Newmeyer's Safety last, Charlie Chaplin's The kid, Y.Protasanov's Aelita: Queen of Mars, Josef von Sternberg's Underworld) for the 2010-2012 Greek Silent cinema Festivals. She's has also composed music for theater productions (The waking of the deads, Henrik Ibsen -2011, Gaslight, Patrick Hamilton-2012, Director Roula Pateraki). She is also a member of The Greek Composers Union and a columnist for the greek music periodical "Polytonon".

Website Georgia Kalodiki

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