In a world saturated with digital imagery, the screen acts as a seamless veil that mediates our perception of reality. This installation captures the precise moment this veil is compromised. By positioning a silent, anonymous bust against the radiant debris of a shattered display, the work explores the tension between human stillness and technological chaos. "Unveiling" refers to the revelation that occurs only through destruction. When the liquid crystal fails, the medium ceases to transmit data and begins to exist as a physical, fractured object. The light that once projected a curated reality now pours through the cracks as raw, unpatterned energy. It is a study on the "skin" of our digital age—questioning whether the truth is found in the images we consume, or in the violent, beautiful clarity of their collapse.

In practical terms, the installation consists of a shattered screen, a mannequin head serving as an anonymous figure—positioned with its back to the viewer—and a second medium placed in front of this composition, which transmits an image of the head, this time facing forward. Initially, as seen in the photographs, this medium was a camera on a tripod; however, in this version of the work, it will be a screen to facilitate a more seamless transmission of the video in a continuous loop.