3rd International Conference

Digital Culture & AudioVisual Challenges

Interdisciplinary Creativity in Arts and Technology

Online, May 28-29, 2021

SCHEDULE

Final Schedule - Version 1.5, Last updated: 27/05/2021, 23:05.

Updated: 26-05-2021

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Friday, May 28th 2021
10:00-10:05	Conference Opening Welcome Message from the Conference Chair, Michail Panagopoulos
10:05-11:45	Session 1: New Aesthetics - New Dimensions Postgraphicapocalypse: A Restructuring of Gesture and Identity through Manipulations of Physical and Digital Ephemera-Ten Monotypes John Thrasher Reflections on Virtual Realities in Social Shared Spaces Adnan Hadzi Prosocial behaviours exhibited by humans and machines within physical and virtual space Penny Papageorgopoulou, Chris Tarantilis, Iouliani Theona, Dimitrios Charitos 4D Hypersphere Perception via a Holographic Art Installation Charilaos Gounaropoulos, Dimitrios Traperas, Nikolaos Kanellopoulos Dynamics of technology in contemporary art: Presentation and evaluation of artistic interactive installations and the aesthetic experience of the public Anthie Kolokotroni, Genovefa Chatzimenoikou, Panayiotis Kyriakoulakos Performing histories, archives, technologies and networks: Expanded artistic practice and research in the case of Primarolia cultural/curatorial platform Bill Psarras Passing the Turing Test: Filmic Postbodies and A.I. Fantasies Aikaterini Papakyriakopoulou Creativity in Algorithmic Art : Ways to be used as Therapy Caterina Velentza
11:45-13:50	Session 2: Digital Culture and Technologies Remixing digital multimodal texts: an analysis of message structures Ilias Karasavvidis The Issue of Extended Arts Exploring Artistic Practice in Digital Arts Panayiotis Kyriakoulakos, Modestos Stavrakis How digital culture and new media have affected the economic, political and social world events: the case studies of Reddit, Cambridge Analytica and Tumblr. Eirini Balafa Implementing a Design Sprint based Intensive Workshop to Enhance "Interaction Design" and "Digital Storytelling" University Courses: from low to high fidelity interactive prototypes in a weekend. Panayiotis Kyriakoulakos, Modestos Stavrakis, Angelos Floros How could graphic design benefit from professional photograph on promoting ancient artifacts Stelios Skourlis Paper Fashion: Coexistence of computational and material design for the creation of a fashion collection made of paper Despoina Kalaitzi, Evridiki Papachristou, Spiros Papadimitriou Textiel Factorij: Hybrid co-creation where ancient crafts meet digital technologies Lipika Bansal, Sujata Majumdar Results of a Qualitative Survey of Habits and Needs of Users Searching the Web for Art and Cultural Heritage Minas Pergantis, Aristeidis Lamprogeorgos, Andreas Giannakoulopoulos Hidden Treasures of the Past: Collecting Data on Web Design from Internet Archives Aristeidis Lamprogeorgos, Minas Pergantis, Andreas Giannakoulopoulos
13:50-15:45	Session 3: Art, Cultural Encounters, Practices of Transformations The Apollonis digital infrastructure. Issues of collaboration between arts, humanities and applied sciences Nikos Daskalothanassis, Christina Dimakopoulou Mythical Mediations: Material transcriptions of votive offerings dedicated to the Nymphs Dimitris Moutafidis, Spiros Papadimitriou Studying the Instagram over-popularity of Frida Kahlo and Vincent van Gogh artworks Sofia Vlachou, Michail Panagopoulos The Impact of Anti-Pandemic Measures on Culture and Alternative Cases Using Digital Media Georgios Lappas, Sevasti Efthimiadou The application of blockchain technology in the online exploitation of works - Copyright issues Galateia Kapellakou, Evangelia Kokotsaki, Spyros Sioutas, Dimitrios Tsolis Life Lightened by Art and Technology: Visual Representations of Cell Structure Evaguelia Diamantopoulou Preservation of the Residential Reserve in Refugee Settlements of Central Macedonia. Tangible & Immaterial Cultural Heritage for Lifelong Learning. The case of the dynamic Map Estia Dorotheos Orfanidis Sky-field, performative installation Eleni Kolliopoulou Concurrent Computational Support for Generative, Abstract Geometric Design Nikitas Marinos Sgouros
15:45-17:50	Session 4: Digital Culture and Video games Metalepsis in Digital Games: Embedded Narratives and their Effects on Dimensionality in Gameworld Angelos Papavlasopoulos, Agnes Papadopoulou, Andreas Floros, Andreas Giannakoulopoulos Distributed Computing Paradigms for Optimization of Video Games and Mixed Reality Applications Athanasios Tsipis, Vasileios Komianos, Konstantinos Oikonomou ISW: Experimental schemes for live coding performances. An experimental videogame with a wearable controller for creating immersive soundwalks. Vasileios Agiomyrgianakis Museums in videogames: do we need a guidebook? The case of the museum guidebook of the Leydecher Museum, Dagger of Ammon Ra 1992. Aristoteles Georgios Sakellariou, Georgios Papaioannou How player and opponent personalities influence cooperative gameplay Konstantina Ntretska, Nikos Avradinis, Georgios Tsatiris, Kostas Karpouzis Revelations of the death drive in video game culture: from Duchamp’s bachelor machines to the new forces of digital sublimation Anastasios Tsakaliadis-Sotirakoglou Integrating psychotherapy practices and gamified elements in novel game mechanics for stress relief Stella Zygotegou, George Anastassakis, Georgios Tsatiris, Kostas Karpouzis Design and Development of Guerilla-Based Museum Gamified Experience: The Museum of Asian Art, Corfu, Greece Ioanna Afroditi Mazi, Ioannis Deliyannis
17:50-18:00	Welcome Addresses Welcome Speech: Andreas Floros, Rector of the Ionian University of Greece Welcome Speech: Andreas Giannakoulopoulos, Head of Audio & Visual Arts Department, Ionian University Welcome Speech: Michail Panagopoulos, Head of the Organizing Committee of the DCAC-2021
18:00-19:00	Keynote Speaker George Yannakakis, Institute of Digital Games, University of Malta Keynote Speech: Gaming the Algorithm Chair: Michail Panagopoulos, Ionian University, Greece
19:00-19:30	Open Mic and Panel Discussion Chair: Michail Panagopoulos, Ionian University, Greece
19:30-21:00	Special Session for EASTN-DC: Reflection and Heterotopia Chair: Ioannis Zannos, Ionian University, Greece * At the end of the session, Questions and Discussion will follow. Virtual Echo, Propagation and Absorbtion –Dynamic Heterotopia Annie Luciani Encountering counter-sites through live performance and video-work: The practice-based project Spirals Hari Marini “Games4Good: at the intersections of videogaming and digital philanthropy, building new ways to give back” Ricardo Climent Expressive interactivity Rui Penha Merging symbolic, physical and virtual spaces: Augmented reality for Iannis Xenakis’ Evryali for piano solo Pavlos Antoniadis, Aurélien Duval, Jean-François Jégo, Makis Solomos, Frédéric Bevilacqua
Saturday, May 29th 2021
10:45-12:30	Session 6: Artistic Perception, Vision, Art and Technology Creating Virtual Reality Exhibitions with Mozilla Hubs Fani Tsiamalou, Despoina Sigourtzidou, Vasileios Komianos From interaction scenarios to body-movement schemes in virtual reality environments Magdalini Grigoriadou, Georgios Loukakis, Georgios Kalaouzis Tour guiding in the digital era: realities and challenges Andreas Grammenos, Georgios Papaioannou Metaphors to die for: Digital transformation for learning and work Konstantinos Chorianopoulos Live Gloving: Experimental schemes for live coding performances Vasileios Agiomyrgianakis Speech Controlled Navigation and Interactions in Web Virtual Reality Environments Despoina Tsavalou, Vasileios Komianos Representations of People with Disabilities in Greek Cinema Maria Papadopoulou undoing her* glossary, reclaiming her* archive Valia Papastamou, Elpida Karaba Always judge a record (?) by its cover – Visual narrative and meaning in the digital age Maria Athanasekou
12:30-14:20	Session 7: Audio Challenges and Creative Applications Solfy: An AI Tool for Promoting Singing & Music Literacy in Schools Morel Koren Maintaining Spatiotemporal Continuity in Field Recording Theofanis Maragkos, Andreas Mniestris, Theodoros Lotis Golden Aspen, for flute and electronics Levy Oliveira Natural Perversion. Acoustic biomimetics and aural simulacra of the order of Maleficence. Luc Messinezis, Apostolos Loufopoulos THREA 2020: Arduino Art-Music Repository, Open-Source Creativity and Interactive Sound Art Installation Dimitri Chatzigiannakis, Angelos Floros Disrupted embodiments: bio-manifestations in sound art Dimitris Batsis, Magdalini Grigoriadou Hear the Shape, See the Sound: Interdisciplinary, participatory creation and learning. A workshop on sound-drawings and interactive installations, at Corfu Archaeological museum. Eugenia Eleni Gelina Palla, Angelos Floros, Apostolos Loufopoulos Harmonographies, anemographies and other recording apparatuses Angelos Sotiriou, Spiros Papadimitriou A Classification of Mobile Audio Creative Applications as a Roadmap for Planning the Learning Process Emmanouel Rovithis, Agnes Papadopoulou, Iakovos Panagopoulos
14:20-16:20	Session 8: Exploring Art and Digital Culture Looking at Digital Art History as a theory-based research method Eleni Gemtou Empty Spaces in Epistemology: Perspectives of Persons Holding Doctorates on the Future of Knowledge Creation Odette Laramee Museums and social media: The freedom to post and the right to be forgotten. Sofia Paschou, Georgios Papaioannou, Sophia Diamantopoulou Methods and Strategies for Data Extraction of Digital Cultural Collections Alexandros Kouretsis, Laida Limniati, Dalila Honorato, Andreas Giannakoulopoulos Virtualizing the Performance Art: IVAPA Project Athina Kanellopoulou A survey on the use of low-cost measurement mechanisms and VR for tracking response from stimuli in the scope of visual arts and psychology Konstantina Vetsiou, Manthos Santorineos The Soothing Sights and Sounds of Brain Eating - ASMR, Zombies and the Potentially Calming Qualities of Horror Yorgos Drosos The informal fragmented spaces of memory: Rejecting digital art Avrokomi Zavitsanou, Spiros Papadopoulos Ancient past of present cyberspatialities? Recapping similarities and differences Argyro Loukaki
16:20-18:00	Session 9: Art, Technology and Education WUIM: Inclusive Transmedia Learning Using Virtual and Augmented Reality Games Stavros Karakoutis, Polyxeni Kaimara, George Miliotis, Ioannis Deliyannis Innovative methods in language teaching: Teaching a foreign language through cinema Vivian Papageorgiou Virtual Reality in Psychology: A case study on acrophobia through an artistic approach Konstantina Vetsiou, Manthos Santorineos AI CIRCE / ARTIFICIAL INTELLIGENCE AND PAINTING Ioannis Melanitis Experiments about creative writing in screenplay Alkistis Georgiou, Konstantinos Tiligadis Learning about Mounts: An Experiential Framework Formulating a Nominal Definition Using Various Video Games Angelos Papavlasopoulos, Agnes Papadopoulou, Andreas Floros, Andreas Giannakoulopoulos Designing an experiential educational game for the investigation of aspects of the Greek revolution Klio Stamou, Yorghos Voutos, Stergios Palamas, Phivos Mylonas Suspended spaces of memory: Heterotopic historical narratives and contentious politics in Theo Angelopoulos work and their use on contemporary cinematic practice. Iakovos Panagopoulos, Seraphim Seferiades, Agnes Papadopoulou
18:00-19:30	Keynote Speaker Dan Ballin, Editor in Chief of Virtual Reality Keynote Speech: Research, Invention, to Innovation Achieving Escape Velocity Chair: Michail Panagopoulos, Ionian University, Greece
19:30-20:30	Guest Speaker Mary Zygouri, Visual Artist and Researcher Guest speech: Female Multiple voices and participatory collective performances on the Public realm
20:30-21:00	Open Mic and Panel Discussion Chair: Dalila Honorato, Ionian University, Greece

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Full festival schedule

The Special Session
“Reflections: Bridges between Technology and Culture, Physical and Virtual”
is supported by: