Of Peas and People
Event Hours: 11/09/2025 (10:30)
Location: Katedrala - Kino Šiška
Verena Friedrich
The long-term project ERBSENZÄHLER (Pea Counter) positions the pea as a liminal being—transitioning between semi-living seed and plant, object of investigation and living entity—within a techno-industrial system. The project consists of a series of sorting machines, with peas serving as model organisms to reflect on biopolitical mechanisms of classification and discrimination.
The installation EZ Quality Sorter exemplifies this by inviting visitors to visually inspect and pre-sort peas, with their decisions later guiding the machine’s automated process. Over time, the machine transitions to fully automated sorting based on user input.
By merging human judgment and algorithmic automation, the installation raises broader questions about the delegation of life-and-death decisions to machines. It challenges the perceived neutrality of automated systems, revealing their dependence on subjective human biases, and critiques the reduction of complex living systems to rigid binaries.
The installation EZ Quality Sorter exemplifies this by inviting visitors to visually inspect and pre-sort peas, with their decisions later guiding the machine’s automated process. Over time, the machine transitions to fully automated sorting based on user input.
By merging human judgment and algorithmic automation, the installation raises broader questions about the delegation of life-and-death decisions to machines. It challenges the perceived neutrality of automated systems, revealing their dependence on subjective human biases, and critiques the reduction of complex living systems to rigid binaries.
Verena Friedrich
Verena Friedrich creates time-based installations in which organic, electronic, and sculptural media come into play.
Her projects have been presented internationally in the context of exhibitions, media art festivals, and conferences. She received the International Media Award for Science and Art from ZKM Karlsruhe 2005; a special mention in the VIDA 13.2 Art and Artificial Life Awards; two honorary mentions in the Prix Ars Electronica 2015 and 2023; a jury mention in the Japan Media Arts Festival 2015 and the Transitio_MX award in 2017. She has been teaching at the University of Art and Design Offenbach, the Bauhaus University Weimar, and the Academy of Media Arts Cologne.
Photo: Camilo Pachón
Back