17’ 31’’
Tears for Lost Frequencies explores our complex relationship with plastic through the act of improvisation. Our intention is to highlight plastic as a matter that cannot be separated from the “natural”: a material everywhere and becoming our “nature” and our “uninvited” collaborator. In Tears for Lost Frequencies, microplastics found in tears become material witnesses to the experience of one’s grieving moment, such as hearing loss, and a speculative space for plastic healing.
Senem Pirler (she/her) is an artist, sonic improviser, and educator. Pirler’s interdisciplinary work crosses over into sound engineering, sound art, composition, performance, video art, movement, and installation.
Monica Duncan (she/her) is a video and performance artist. Her time-based work investigates sensory perceptions, queer potentiality, and relationality to our more-than human world. Duncan’s video and performance work has been exhibited Hebbel am Ufer HAU1, Frankfurt Lab, zeitraumexit, Komuna//Warszawa, The Kitchen, Roulette, Atlanta Contemporary, Hallwalls, La Casa Encendida, ZKM, LACMA, Los Angeles Contemporary Exhibitions, amongst others. She has been a visiting artist at the Atlanta College of Art, Georgia State University, Hunter College, New School, Pratt Institute, Signal Culture, Experimental Television Center, Scena Robocza, Institute for Electronic Arts, PACT Zollverein, LMCC Governors Island and Stoveworks.
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