Interdisciplinary Conference

TABOO - TRANSGRESSION - TRANSCENDENCE

in Art & Science

9-13 September 2025, Kino Šiška, Ljubljana

SHIOPI
Event Hours: 09/09/2025 (18:00-22:00), 10/09/2025-12/09/2025 (09:00-21:00)
Location: Kamera - Kino Šiška
Melisa Cano

Shiopi is a Sound_Installation/Sound_Object that explores three main concepts: Nature, Silence and Sonification of the Invisible. The name Shiopi comes from the Greek word Siopí, which means silence, and the onomatopoeia sh, used to ask for silence. 

The sound material of the Installation interacts with the surrounding space through different processes. The sonification of the invisible is made by measuring the temperature, humidity, ambient-light and uv radiation and mapping the information to create different sounds in real time. These sounds are only audible when there is silence in the exhibition space. Silence is understood as an open space to listen.

The sounds generated through sonification are mixed with field recordings ofnatural environments of the north of Spain. These nature sounds are always present in the Sound Installation, despite the level of silence. However, when the installation space is focused on listening, the sounds generated through sonification appear, creating the illusion of a magical natural environment.

Besides, another sound material appears when there is a considerable level of noise in the Installation space. This sound material is disruptive in its essence. It is also created measuring the fundamental frequency of the space in real time.

Thus, this Sound_Installation/Sound_Object fuses real nature sounds with the invisible, through the sonification of non-audible elements, in a constant interaction with the surrounding space.

The process of listening is individual, using headphones. The search of silence aims to enhance the listening process. Even though the listening process is individual (headphones), the search of silence has to be a collective effort.

Shiopi is contained in a glass vase full of dried flowers. Some of the sensors are inside the vase and others come from the inside to the outside as branches of the flowers. 

Melisa Cano

Melisa Cano (Spain, 1990) is a pianist and sound artist focused on contemporary music, free impro and new ways of sound expressions. Although she is an artist with classical music academic background, her artistic work aims to explore and experiment with sound using it as a bruit material, like electronic sounds created with supercollider/pd and soundscape recordings, and combining these sounds with improvisation, intuition and our natural environment. Besides, as a performer, she likes to explore different sound effects produced inside the piano sound box and the strings such harmonics, scraping or muting strings. She is part of Nonois, a recently formed free-impro group where she plays the piano and oramics_live (https://nonois.bandcamp.com). Oramics_live is a live version of Oramics, the graphic sound synthesizer by Daphne Oram, for iPad/tabled that she has programmed with PureData and Mobmupla (https://youtu.be/j6EJRS2f97U). 

Oramics_Live was presented in the last edition of Piksel festival (Norway). In addition, as a contemporary pianist, she has participated in several festivals, like Festival Expresiones Contemporáneas (Mexico, 2022, 2019), Fluxes (Madrid, 2022) or SIM (2022, 2019). 

ONICяA is her artistic name for sound art works: Onirical-Nuances + Irreverent-Creations + Realistic Attitude (https://onicramelisacano.bandcamp.com)

 

Melisa Cano holds a BA in Piano Performance (Consmupa, Spain), a BA in Piano Pedagogy (Metropolia-University, Helsinki, Finland), a MA in Contemporary Music (Royal Conservatory, Madrid, Spain) and a MA in Electroacoustic Composition (Katarina Gurska Music Institute, Madrid, Spain).


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