The project is an art installation that explores the relationship between memory, identity, and technological representation through the lens of dementia. Memory is approached not as a biological function, but as a fundamental element in shaping personal identity and interpersonal relationships. Its gradual loss leads to the subject’s disconnection from their past and from people who were once familiar. Family photographs play a central role, functioning as archival material and carriers of stabilized memory. Although photography resists the passage of time, it ultimately becomes evidence of experiences that the subject can no longer recall. The use of double exposure operates as a conceptual device that visualizes the confusion of memory. Different lived experiences coexist within the same visual field without clear hierarchy or separation, reflecting a liminal mental state in which reality and recollection overlap and blur. All photographs are printed on rice paper, whose semi-transparency and subtle blurring symbolize the instability and ambiguity of memory. They are then mounted on transparent film for practical reasons, allowing them to hang with stability. The use of wire for suspension evokes barbed wire, suggesting the sense of confinement and entrapment associated with dementia.