The work unfolds within a darkened environment, where a digital polyhedron is projected at a large scale, forming a space of contemplative intensity.

Within the space, a table is introduced bearing materials of both organic and inorganic nature, such as soil, ash, and bones, combined with objects that evoke ritual practices. At its center, a ceramic chalice is placed, containing a liquid element. The viewer’s touch or subtle movement of the liquid activates sensors, which translate physical motion into transformations of the geometry of the projected polyhedron.

These changes manifest through distortions, intensifications, and dynamic transformations of the form, constituting a system of bidirectional interaction between the body and the digital entity. The experience is neither linear nor narrative, but operates as a continuous process of transformation.

The presentation examines the installation as a contemporary ritual condition, where materiality, movement, and digital imagery are integrated into a unified experiential field, highlighting the dynamic relationship between the physical and the digital realm.