Interdisciplinary Conference

TABOO - TRANSGRESSION - TRANSCENDENCE

in Art & Science

9-13 September 2025, Kino Šiška, Ljubljana

Mouth as Provocation: Hacking Interfaces and Transgressing Ableism in XR
Event Hours: 11/09/2025 (15:30)
Location: Komuna - Kino Šiška
Puneet Jain

Disability often elicits visceral emotions—disgust, fear, irritation—reactions that many able-bodied individuals experience when encountering a disabled body. Does this render disability a near-taboo identity? These tensions were confronted in Crip Sensorama, an XR artwork exhibited at the Ars Electronica Festival in Linz, Austria. This immersive experience invited visitors to navigate the everyday life of disabled artist Christian Bayerlein, who lives with spinal muscular atrophy, through playful and unconventional gestures. Audiences opened their mouths wide, puffed their cheeks, and extended their tongues to move and interact within the virtual environment—transgressing what disability scholar Alison Kafer terms “compulsory able-bodiedness.”

Current XR technologies predominantly rely on hand and head movements to explore virtual worlds, reinforcing an able-bodied design paradigm that HCI researchers Gerling and Spiel describe as a "corporeal standard". This ableist framework excludes individuals with limited sensorimotor abilities from full access to these devices. Addressing this exclusion, Crip Sensorama hacked camera-based technology, enabling Christian to interact in XR using chin, jaw, and tongue movements—redefining the interface to center the mouth as an accessible and inclusive modality.

This presentation will delve into the artistic and technical processes behind Crip Sensorama, demonstrating how the mouth—a visceral organ often tied to intimacy and taboo—was transformed into both a practical interface and an artistic provocation. By reimagining the bucca (mouth) as a tool for interaction, the work not only subverted technological ableism in XR but also brought audiences into intimate proximity with disability culture.

Ultimately, this talk will argue for the mouth as a “trouble-maker” in XR art, capable of unsettling entrenched misconceptions about disability, revealing the biases embedded in technology, and fostering a deeper understanding of disability as a site of creativity, desire, and embodied agency.




Puneet Jain

Puneet is an engineer/artist working at the intersection of Human-Computer Interaction (HCI), eXtended Reality (XR), Critical Design, and Disability Studies. He is currently pursuing his PhD at Concordia University, Montreal, Canada under the supervision of Artist/Researcher Christopher Salter. 

Puneet’s artistic-research practice investigates how technologies of XR (umbrella term for Virtual/Augmented Reality and body-worn interfaces) can be made accessible for the disabled communities (particularly people with quadriplegia/paraplegia). Concretely, opening the platform of XR for (and with) the disabled communities, developing artistic XR interventions that re-shapes, re-imagines, and provokes the common misconceptions around sensorimotor disabilities.

Puneet’s work has been showcased both in India (from where his roots emerge) and internationally at venues such Ars Electronica (Linz, Austria), ISEA (Barcelona, Spain), xCoAx (Treviso, Italy), Electronic Literature Organization (Florida, USA), KunstFest (Weimar, Germany) etc.


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