Interdisciplinary Conference

TABOO - TRANSGRESSION - TRANSCENDENCE

in Art & Science

9-13 September 2025, Kino Šiška, Ljubljana

Viral Load: on post-truth, ontological security and anti-vaxxers
Event Hours: 11/09/2025 (10:30)
Location: Komuna - Kino Šiška
Callum Siegmund, Paul Sutherland

In the wake of COVID-19, a larger pandemic of viral misinformation was spreading through unregulated communication apps. Communities were fractured into those who “trusted the science” and those who believed the vaccine itself was a bioweapon created to cripple the public. The fact that multiple divergent ideas about both virus and vaccine could spread rapidly and become stubbornly attached to self-identity and wider belief structures is indicative of the broader ‘post-truth’ condition it exists within. Post-truth describes the situation where distinctions between ‘truth’ and ‘lies’ have become impotent, and that which has emerged in its place is “online huddling” around polarising and affectively resonant content regardless of its veracity (Kalpokas 2019, 5). Treatment-resistant misinformation particularly thrives in these ecosystems; the truth of a statement is less important to individuals than how the statement coheres with and stabilises the rest of their worldview. This sense of needing a stable and consistent sense of self-identity and worldview can be conceptualised as ‘ontological security’, a theory originating in the work by existentialist psychiatrist R.D Laing (Laing 1965). The core tenet for Laing’s theory is that for people to communicate with each other, an implicit assumption must exist that they share the same experience of reality. In this paper, two main points are achieved. Firstly, Sutherland revises Laing’s theory for the post-truth era, suggesting that a subject’s ontological security instead describes their tolerance for plurality and dissensus. Siegmund explores the relationship between ontological security and post-truth through socially engaged vio-art comprising molecular-level sculpture. Siegmund attributes to ontological insecurity the conflicting beliefs surrounding ‘vaccine shedding’ and uses this plurality to create “Viral Load”, a performative DNA nanosculpture emanating from the artist's breath whose form changes depending on the audience’s beliefs.


Back

Hosting Institution

Supported by

creative-europe   intellectbooks   inartsxcenter   go   pixelpoint
Text To SpeechText To Speech Text ReadabilityText Readability Color ContrastColor Contrast
Accessibility Options