The digital project “Ramiel” is a hybrid creature created as part of the course “Character and Environment Development.” It is a composition that combines elements from the Brutalist architectural movement—a movement that emerged in Eastern Europe between 1950 and 1970—with biblical representations of angels. This figure is the biblical angel Ramiel, whose body, in the work, is inspired by a Serbian monument of the Brutalist movement, the Kosmaj Monument, located on the mountain of the same name in central Serbia. I chose this particular monument because of its abstract form, which conveys a sense of both menace and grandeur, something I felt would align very well with the effect I was aiming for. I chose to use a color palette limited to shades of green for the body to convey a sense of illness, which coexists with the dynamism emanating from the body’s form. I tried to remain as faithful as possible to the biblical depiction of the angel by adding the six symmetrical wings and the five eyes.