Interdisciplinary Conference

TABOO - TRANSGRESSION - TRANSCENDENCE

in Art & Science

9-13 September 2025, Kino Šiška, Ljubljana

Post-Human Molecular Enhancement: Exploring Aesthetics and Biopolitics in Life Engineering
Event Hours: 10/09/2025 (15:30)
Location: Katedrala - Kino Šiška
Elena Giulia Abbiatici

 

In Stanislaw Lem's The Futurological Congress (1981), the government uses ingestible and inhalable substances to manipulate the perceptions and behaviour of its citizens. These substances allow immediate psychotropic control over the masses, bypassing slower and more complex rational and cognitive processes.

Today, smart drugs, nootropic drugs, hormone therapies and genetic nanotechnology define a chemical and molecular semi-sphere, marking the contemporary techno-neural transition towards cognitive bio-hacking aimed at perpetual performativity, under a pharmapornographic dictatorship, as theorised by Preciado (2013).

The engineering of life also enables intervention in DNA, the supreme code, allowing the design of psycho-physical capabilities or even behavioural traits, creating human beings with enhanced characteristics, potentially within a hybrid framework. The risk is that the use of these technologies, fuelled by computational averages, may revive neo-eugenic imperatives, including the reinforcement of gender and racial stereotypes, i.e. molecularly reinscribing race (Duster, 2015).

Our intention is to investigate artistic practices that critically engage with the chemical and molecular enhancement of our bodies, as latent mechanisms of power and social control exercised over vital aspects of life, such as sex and reproduction, work and leisure, sleep, mental states and gender identity. In this context, we will explore the work of artists, including, but not limited to, Anna Dumitriu, Ani Liu, Zach Blas, Memo Akten, Kendric McDowell, M. Pevere, Heather Dewey-Hagborg and Paul Vanouse, who interrogate the boundaries and implications of this enhancement, exploring its resonance with aesthetic categories such as simulation, second creation, and hallucination.

By situating these artistic investigations within the larger discourse of techno-scientific governance, this paper seeks to interrogate the biopolitical and psychopolitical ramifications of such advancements. Through this lens, we aim to offer a critical perspective on the molecular reshaping of life and its far-reaching socio-political consequences.

 


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