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AV-School Workshops | Seminars | Music composition for instruments and electronics using contemporary electronic sound processing electronics, investigating the relations between harmonic and non-harmonic spectra
Music composition for instruments and electronics using contemporary electronic sound processing electronics, investigating the relations between harmonic and non-harmonic spectra

Speaker: Georgia Kalodiki
Date & Time: 19/05/2016 - 17:00-19:00 (Dept. Music Studies room 302)
Language: Greek

During this seminar I present and discuss several aspects of my ongoing research at the Music department of Ionio University (Thesis: Composing works for instruments and electronics investigating the relations between harmonic and non-harmonic spectra’)

Fields for discussion and analysis:
- Electronic sound processing and degree of identification of the sound source (instrument identity)
- Search for geometrical symmetries not attached to the traditional approach of the vertical and horizontal axis that characterize the exposition of sound events
- Studying the way of perception of sound events according to empirical reality
- Conceptual approach of abstraction as a degree of harmonic subtraction leading to noise.
- Electronic sound processing of human voice and maintenance of meaning
- Relations between harmonic and non harmonic spectra

Bibliography
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Bregman, A. (1990) Auditory Scene Analysis. USA: MIT Press
Croce, Benetetto. 2013, The Essence of Aesthetic, HardPress
Dalhaus, C. 1982. Esthetics of Music, trans. Wiliam W. Austin, Cambridge University Press.
Dewey, John. 2005, Art as Experience, Penguin
Dobson, R., (1992) A Dictionary of Electronic and Computer Music Technology. Oxford University Press
Emmerson, S. ed., (2000) Music, Electronic Media and Culture. England: Ashgate
Emmerson, S. 1986 The relation of language to materials. In S.Emmerson (ed.) The language of Electroacoustic Music, pp.17-39. Basingstoke: MacMillan Press
Emmerson, S. ed., (2000) Music, Electronic Media and Culture. England: Ashgate
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Manning, P. (1993) Electronic and Computer Music. Clarendon Press, Oxford
Merleau-Ponty, Maurice. 2012, The Phenomenology of Perception, Routledge
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Morgan, Robert. P., 1993, Modern Times From World War to the Present (Granada Group and The Macmillan Press Ltd
Pejrolo, A., (2005) Creative Sequencing Techniques for Music Production. Focal Press
Russolo, L., (1967) The art of Noises. A great Beat Pamphlct
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Schrader, B., (1982) Introduction to Electro-Acoustic Music. Prentice Hall
Smalley, D. (1997), Spectromorphology: Explaining sound-shapes, Organised Sound: Vol. 2, no. 2. Cambridge: Cambridge University Press: 107-126
Smalley, D. 1986 Spectromorphology and structuring processes. In S. Emmerson (ed.) The language of Electroacoustic Music, pp.61-93. Basingstoke: MacMillan Press
Schopenhauer, Arthur 2007 Philosophy and the Arts Edited by Dale Jacquette, Cambridge University Press
Wishart, T. 1994 Audible Design, Orpheus the Pantomime: Ltd
Young, J. The Interaction of Sound identities in Electroacoustic Music, ICMC 2002 Proceedings. Gothenburg, 2002: 342–348.
Wishart, Trevor. 1996 On sonic Art, Psychology Press

Seminars' Instructors
Georgia Kalodiki

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